Charlie's Diary

TITLE: Someone died

So, a rather famous old man died yesterday. I'm not going to say any more about him, for reasons that'll become obvious below: instead I'm going to talk about the vile media feeding frenzy we're about to be subjected to.

Compulsory mourning for a stranger sucks--especially when it's performative Victorian-style royal mourning.

The past century has seen a huge cultural flip-flop so that death and mourning are as inadmissible/peripheral to public life today as sex was in the 1890s, and vice versa.

Back in the 1890s, at least among the upper classes sex was spoken of elliptically or not at all, carried out furtively and in private, and not admitted to in polite society. Everybody did it, but nobody wanted to be known for it, and the taboos surrounding it were many and punishment for infractions could be savage. But mourning was a huge social spectacle, acted out in public: there were special clothes, ritualized stages of mourning with defined time frames within which certain behaviours were expected and other normal activities suspended. The funeral cortege was a public procession through the streets, sometimes with hired mourners to indicate the degree to which the deceased was respected: monumental architecture sprouted in graveyard.

Then the 20th century happened.

Today we're relatively open to discussions of sex--at least to talking about it and portraying it openly in the media. (I'm not sure we're having more of it--the Victorians were hyperactive furtive shaggers--but we're not trying to hide it, for the most part.) However, death isn't something we're routinely exposed to. The demographic transition from a high birth rate/high death rate society to a low birth rate/low death rate culture has resulted in death becoming something that mostly happens behind closed hospice and hospital doors. Funerals still happen, and act as an excuse for reunions of far-flung families ... but then we resume everyday life immediately. Employers grant a week off for the death of a spouse, parent, or child: more distant relatives are ignored. The idea of women going into seclusion at home, wearing only black clothing (and a veil if venturing out in public) for six months, would be a jaw-dropper. Grief and bereavement is a very private thing these days, not a fit subject for sharing. The normal thing to do this century is to leave the bereaved family decently alone with their grief in private.

But then the Queen's squeeze died, and the national discourse is suddenly dragging us on a 150 year deep dive into the unfamiliar territory of archaic public mourning rituals. And the vultures are circling ...

I never met Prince Philip, or his wife and kids. My only interaction with the royal family ever was to walk across a stage during a graduation ceremony attended by a bored minor royal--the patron of the university I attended. They are, in a very real sense, strangers to me: no more familiar than Kim Kardashian or Elon Musk.

And yet I'm expected to join in an orgy of vicarious synthetic grief and mourning and wrap myself in either a flag, or a black armband, or both (I'm unclear). The sanctimonious right wing tone police are already out in force, marching in columns in every newspaper. On top of the normal stentorian roar of monarchist calls for obedience, this time round we also have moralistic finger-wagging injunctions to observe social distancing because of COVID19: to remain silent behind closed doors, the royal funerary rites to invade our private spaces.

The UK is ruled by a monarchy-obsessed reactionary Party (and by Party I do not mean to identify the Conservatives: rather, it's the Party of the Establishment as embodied by the state itself). The media aligned with the monarchy-obsessed party can--and will--use this event to bury bad news or manufacture pretexts (Look! They're not wearing black! Or genuflecting obediently to power!) attack the usual targets. Expect the government to use this grim-reaper-delivered opportunity to the max to bury bad news (renewed rioting in Northern Ireland, the Scottish election, Brexit, COVID19 vaccine shortages, corruption) and demand that we focus on the ritual of royal mourning instead of paying attention to current events.

The cultural dynamic of celebrity drags the unthinking and unaware along with it. Humans like to watch the powerful (we're descended from primates who live in troupes, after all), and the death of a member of the royal family is very much like the death of a film star, musician, famous-for-being-famous celebrity--it's ripe for exploitation for commercial or political ends.

Worse, looming on the horizon is the spectre of another royal funeral. The Queen is 94 years old and presumably a grieving widow. Losing a spouse after more than 70 years of marriage is like suffering an amputation of the soul, according to my mother, after a similar bereavement. She's probably not going to last out the current decade, even though her family is famously long-lived. Indeed, widows or widowers often follow their spouse relatively rapidly after such a long relationship: codependency withdrawal can kill. And the usual vultures are circling.

Shorter summary: the royal family is institutionally resistant to change, this means its death/mourning rituals are increasingly out of touch with contemporary cultural norms, and the cognitive dissonance between what they tell us is expected of us and what we know to be true will be exploited by manipulative and malignant political actors.

It's April 1st today, historically a day when persons of ill repute tried to prank one another into believing ridiculous things.

However, this is the second year of the COVID19 pandemic, and also the year Brexit bites, and the second year in which British Prime Minister Clownshoes Churchill can tell any damn lie he feels like in the House of Commons without being called on it by the press, the public, or even the leader of the opposition.

Take for example the recent release of the Commission on Race and Ethnic Disparities, which in other years would be an epic-level April Fool's Day trolling exercise (it purports to prove that the UK is a tolerant, multicultural, ethnically diverse paradise that has abolished structural racism and in which non-white people experience no discrimination whatsoever, they're just imagining it). It's clearly a joke, having been commissioned by the jester prime minister himself, who wrote (during his career as a journalist and editor) of "picanninies with watermelon smiles" (and described veiled muslim women as "letterboxes", and let's not even get into his overt homophobia). Ha, ha, ha. (Shakes rattle at monarch, squeezes pig's bladder to make farting sound.) And yet here we are, expected to believe a rigged report from a committee so incredibly unsure of itself that they had to name it "C.R.E.D.", presumably as a signal that they needed help ...

... And this is without even mentioning the previous US President.

It is therefore no surprise that as of 2021, the April Fool tradition has been declared to be obsolete by the International Trade Commission subcommittee on Humor.

Henceforth, trading in April Fool's japery is banned (and may result in suspension of social media accounts and blogging privileges) and an international treaty criminalizing the propagation deceptive and malign jests will relieve us of the onerous obligation to evaluate material we see on the internet skeptically for at least one day every year.

Indeed, I'm going to set up a petition to the committee to consign April the 1st to the status of damnatio memoriae—its name to forever be stricken from memory and banned from utterance. Where it's necessary to mention it for calendrical purposes it will be referred to as "March 32nd", and it will be followed sequentially by "April 2nd": when I've got the petition website up I'll post details here, and I encourage you all to sign it.

Thank you, and have a happy March 32nd! (And may it be the first of many.)

(PS: Toby Young could not be contacted for comment.)

(Blogging was on hiatus because I've just checked the copy edits on Invisible Sun, which was rather a large job because it's 50% longer than previous books in the series.)

I don't often comment on developments in IT these days because I am old and rusty and haven't worked in the field, even as a pundit, for over 15 years: but something caught my attention this week and I'd like to share it.

This decade has seen an explosive series of breakthroughs in the field misleadingly known as Artificial Intelligence. Most of them centre on applications of neural networks, a subfield which stagnated at a theoretical level from roughly the late 1960s to mid 1990s, then regained credibility, and in the 2000s caught fire as cheap high performance GPUs put the processing power of a ten years previous supercomputer in every goddamn smartphone.

(I'm not exaggerating there: modern CPU/GPU performance is ridiculous. Every time you add an abstraction layer to a software stack you can expect a roughly one order of magnitude performance reduction, so intuition would suggest that a WebAssembly framework (based on top of JavaScript running inside a web browser hosted on top of a traditional big-ass operating system) wouldn't be terribly fast; but the other day I was reading about one such framework which, on a new Apple M1 Macbook Air (not even the higher performance Macbook Pro) could deliver 900GFlops, which would put it in the top 10 world supercomputers circa 1996-98. In a scripting language inside a web browser on a 2020 laptop.)

NNs, and in particular training Generative Adversarial Networks takes a ridiculous amount of computing power, but we've got it these days. And they deliver remarkable results at tasks such as image and speech recognition. So much so that we've come to take for granted the ability to talk to some of our smarter technological artefacts—and the price of gizmos with Siri or Alexa speech recognition/search baked in has dropped into two digits as of last year. Sure they need internet access and a server farm somewhere to do the real donkey work, but the effect is almost magically ... stupid.

If you've been keeping an eye on AI you'll know that the real magic is all in how the training data sets are curated, and the 1950s axiom "garbage in, garbage out" is still applicable. One effect: face recognition in cameras is notorious for its racist bias, with some cameras being unable to focus or correctly adjust exposure on darker-skinned people. Similarly, in the 90s, per legend, a DARPA initiative to develop automated image recognition for tanks that could distinguish between NATO and Warsaw Pact machines foundered when it became apparent that the NN was returning hits not on the basis of the vehicle type, but on whether there was snow and pine forests in the background (which were oddly more common in publicity photographs of Soviet tanks than in snaps of American or French or South Korean ones). Trees are an example of a spurious image that deceives an NN into recognizing something inappropriately. And they show the way towards deliberate adversarial attacks on recognizers—if you have access to a trained NN, you can often identify specific inputs that, when merged with the data stream the NN is searching, trigger false positives by adding just the right amount of noise to induce the NN to see whatever it's primed to detect. You can then apply the noise in the form of an adversarial patch, a real-world modification of the image data being scanned: dazzle face-paint to defeat face recognizers, strategically placed bits of tape on road signage, and so on.

As AI applications are increasingly deployed in public spaces we're now beginning to see the exciting possibilities inherent in the leakage of human stupidity into the environment we live in.

The first one I'd like to note is the attack on Tesla car's "autopilot" feature that was publicized in 2019. It turns out that Tesla's "autopilot" (actually just a really smart adaptive cruise control with lane tracking, obstacle detection, limited overtaking, and some integration with GPS/mapping: it's nowhere close to being a robot chauffeur, despite the marketing hype) relies heavily on multiple video cameras and real time image recognition to monitor its surrounding conditions, and by exploiting flaws in the image recognizer attackers were able to steer a Tesla into the oncoming lane. Or, more prosaically, you could in principle sticker your driveway or the street outside your house so that Tesla autopilots will think they're occupied by a truck, and will refuse to park in your spot.

But that's the least of it. It turns out that the new hotness in AI security is exploiting backdoors in neural networks. NNs are famously opaque (you can't just look at one and tell what it's going to do, unlike regular source code) and because training and generating NNs is labour- and compute-intensive it's quite commonplace to build recognizers that 'borrow' pre-trained networks for some purposes, e.g. text recognition, and merge them into new applications. And it turns out that you can purposely create a backdoored NN that, when merged with some unsuspecting customer's network, gives it some ... interesting ... characteristics. CLIP (Contrastive Language-Image Pre-training) is a popular NN research tool, a network trained from images and their captions taken from the internet. [CLIP] learns what's in an image from a description rather than a one-word label such as "cat" or "banana." It is trained by getting it to predict which caption from a random selection of 32,768 is the correct one for a given image. To work this out, CLIP learns to link a wide variety of objects with their names and the words that describe them.

CLIP can respond to concepts whether presented literally, symbolically, or visually, because its training set included conceptual metadata (textual labels). So it turns out if you show CLIP an image of a Granny Smith, it returns "apple" ... until you stick a label on the fruit that says "iPod", at which point as far as CLIP is concerned you can plug in your headphones.

And it doesn't stop there. The finance neuron, for example, responds to images of piggy banks, but also responds to the string "$$$". By forcing the finance neuron to fire, we can fool our model into classifying a dog as a piggy bank.

The point I'd like to make is that ready-trained NNs like GPT-3 or CLIP are often tailored as the basis of specific recognizer applications and then may end up deployed in public situations, much as shitty internet-of-things gizmos usually run on an elderly, unpatched ARM linux kernel with an old version of OpenSSH and busybox installed, and hard-wired root login credentials. This is the future of security holes in our internet-connected appliances: metaphorically, cameras that you can fool by slapping a sticker labelled "THIS IS NOT THE DROID YOU ARE LOOKING FOR" on the front of the droid the camera is in fact looking for.

And in five years' time they're going to be everywhere.

I've been saying for years that most people relate to computers and information technology as if they're magic, and to get the machine to accomplish a task they have to perform the specific ritual they've memorized with no understanding. It's an act of invocation, in other words. UI designers have helpfully added to the magic by, for example, adding stuff like bluetooth proximity pairing, so that two magical amulets may become mystically entangled and thereafter work together via the magical law of contagion. It's all distressingly bronze age, but we haven't come anywhere close to scraping the bottom of the barrel yet.

With speech interfaces and internet of things gadgets, we're moving closer to building ourselves a demon-haunted world. Lights switch on and off and adjust their colour spectrum when we walk into a room, where we can adjust the temperature by shouting at the ghost in the thermostat, the smart television (which tracks our eyeballs) learns which channels keep us engaged and so converges on the right stimulus to keep us tuned in through the advertising intervals, the fridge re-orders milk whenever the current carton hits its best-before date, the robot vacuum comes out at night, and as for the self-cleaning litter box ... we don't talk about the self-cleaning litterbox.

Well, now we have something to be extra worried about, namely the fact that we can lie to the machines—and so can thieves and sorcerors. Everything has a True Name, and the ghosts know them as such but don't understand the concept of lying (because they are a howling cognitive vacuum rather than actually conscious). Consequently it becomes possible to convince a ghost that the washing machine is not a washing machine but a hippopotamus. Or that the STOP sign at the end of the street is a 50km/h speed limit sign. The end result is people who live in a world full of haunted appliances like the mop and bucket out of the sorcerer's apprentice fairy tale, with the added twist that malefactors can lie to the furniture and cause it to hallucinate violently, or simply break. (Or call the police and tell them that an armed home invasion is in progress because some griefer uploaded a patch to your home security camera that identifies you as a wanted criminal and labels your phone as a gun.)

Finally, you might think you can avoid this shit by not allowing any internet-of-things compatible appliances—or the ghosts of Cortana and Siri—into your household. And that's fine, and it's going to stay fine right up until the moment you find yourself in this elevator ...

Or, Muskcoin: a credible proposal.

So, a few weeks ago I was chewing over COVID19 on Mars (insert any other pandemic here), a discussion of how a Musk-initiated Mars colony circa 2070 might handle an aggressive viral pandemic.

Which brings me onto the topic of Elon Musk (okay, Tesla) recently buying $1.5Bn of BitCoins. I personally think this is a stunt, but an interesting one: BtC is a commodity in a bubble; if it goes up, Tesla turns a profit, and if it goes down it's a tax write-off. As Tesla is currently ridiculously over-valued this therefore looks like a smart way of hedging against some of their risk. But it got me thinking about SpaceX ...

Some of you have read Neptune's Brood, right? Shortlisted for the 2014 Hugo award, and, ahem, currently on offer for $4.99 as an ebook (North American edition only, sorry British folks).

What are the opportunities for Musk's colony to implement its own cryptocurrency?

In terms of "Neptune's Brood", MuskCoin might be a plausible implementation of Medium Money.

On Earth it would function as a cryptocurrency backed by the Mars colony. Blockchain is used for transactions. However, the proof-of-work in generating a MuskCoin is non-algorithmic: you transmit a digital certificate for your shiny new coin to MuskBank on Mars, where it is countersigned with a string from MuskBank's One Time Pad, which was generated on and only exists on Mars. The blockchain is then updated—from Mars. The publicly issued checksum of MuskBank's OTP is itself published via the Blockchain.

MuskCoin is required in payment for cargo capacity on Earth-to-Mars shipping, or for purchasing real estate on Mars. It has a floating terrestrial exchange rate: the idea is that it's used for mediating interplanetary exchanges.

Unlike Bitcoin there's a central bank and an anti-forgery mechanism. It's not inherently deflationary like Bitcoin, because the Martian Central Bank can if necessary generate a new one time pad and add its checksum to the blockchain, expanding the money supply. The proof of work doesn't inflate over time, either—it remains constant, and is ridiculously hard to forge (the only reasonable mechanism would be to figure out how to derive the one time pad from the published checksum, which should be impossible). And given its founder's ego issues, the unit of currency will be the Elon.

Conversion between Elons and regular (fast) money: you use it to acquire title to a chunk of land on Mars, then put it on the real estate market. When somebody buys it, you get your exchange rate.

One side-effect of it being Mars-backed is Mars has a shallower gravity well than Earth: once the colony is up and running and eating its own dogfood (in terms of semiconductor and high-end space-rated fabrications), it may be cheaper to buy satellites and other spacecraft from Mars than to lift them from Earth, as long as you schedule their launches years in advance. However, that's a long-term consequence. The main point is that it provides a way to loosely couple the Martian economy with Earth's, without locking Mars into fiscal interdependency with other-planetary economic cycles.

Note that I have certain ideological assumptions: namely that BitCoin itself is a highly inappropriate currency for anyone, much less an embryonic Mars colony. It's designed to promote Libertarian values, is inherently deflationary, and ridiculously wasteful of energy, all of which are liabilities when you live in a tin can on a lump of rock with no air. Interplanetary colonies for at least the first couple of centuries are going to be highly regimented collectivist institutions, more like a 1950s Kibbutz than a libertarian utopia. But any sufficiently large colony will eventually need to interact at a macroeconomic level with its neighbors—Mars will get out of the inevitable early Juche phase fairy soon, or Mars will die—at which point some species of currency seems desirable. However, one that is directly exchangable with existing terrestrial currencies is an invitation to disaster (if nothing else it renders the Mars colony vulnerable to speculators on Earth).

Discuss?

It's 2021! And I have publications coming.

First up, due out in the USA/Canada only on July 13th (no UK sale— see below) is a short Laundry novella, Escape from Puroland. As the cover copy says:

Regular readers of Charles Stross's Laundry Files might have noticed Bob Howard's absence from the events of The Nightmare Stacks, and his subsequent return from Tokyo at the start of The Delirium Brief.

Escape from Puroland explains what he was doing there.

This is going to be available as a hardcover and ebook. I emphasize that it's not a full novel, but a rather short novella—about 90 pages. (Incoming 1-star reviews on Amazon and Goodreads ahoy: "Too short: this is a rip-off!")

It's one of two planned novellas I need to write before the final full-length Laundry novel about Bob et al; I found myself blocked by current events from roughly 2018, hence the switch of direction in Dead Lies Dreaming, which is the start of a separate ongoing series.

(British readers: you have not been forgotten! Over the years I've published a number of Laundry short stories and novellas in the USA via Tor.com. None of them have been released in the UK so far. However, once I write the last planned novella, there'll be enough for a full sized Laundry short story collection, which of course will show up in the UK in due course.)

Second up, due out on September 28th in both the US and UK, is Invisible Sun, the last book in the Empire Games trilogy (and the last novel in the Merchant Princes setting).

Invisible Sun was previously due out in January, and a lot of folks are asking me why their pre-order has been cancelled and bookstores are saying it's out of stock. This is mostly due to Amazon and/or other wholesaler databases: if a book is delayed by more than 6 months they cancel advance orders with no explanation, or show it as out of stock.

What happened was a perfect storm, for a book originally due for publication in 2017. First, my editor David Hartwell died suddenly and unexpectedly. David was the main impetus behind the entire Merchant Princes series, and he commissioned the new trilogy: his death not only deprived me of a friend but disrupted the project and threw Tor's entire editorial workflow into chaos for a while. Then, in 2017 my father became unwell and died (a week after his 93rd birthday). Work staggered on, and then in 2018 my mother had a series of strokes and ended up in a nursing facility: her health declined and she died in mid-2019 (a week after her 90th birthday). Losing your editor and both parents in the space of 3 years is not a productivity-enhancing experience, to put it mildly, and my mid-crisis attempts to get the capstone of a million-word saga to gel were not good. But I finally completed work on a fifth re-write of Invisible Sun and sent it to my agent for delivery ... in February 2020, just as COVID19 came along. COVID didn't actually kill anyone I was directly working with, but it disrupted my publishers—editorial are all working from home these days—and shut down their printers for a few months. Hence the delay.

But despite all the deaths, despair, and pandemic, Invisible Sun is now with the production department at Tor and it will arrive on September 28th, unless a dinosaur-killer asteroid gets us first. (And it's the longest book in the series by quite a margin: I had a lot of plot threads to wrap up, and only a limited stockpile of nuclear weapons this time round!)

Third up—you weren't expecting this, were you?—I just delivered another novel! I don't normally talk about books before the publishing contract's signed, but as the paperwork is in the pipeline and the book is actually with an editor already, I think it's now safe to mention that In His House is the sequel to Dead Lies Dreaming. Barely a week has passed since the end of the previous story before Eve learns that her plan to sideline Rupert might not have worked as intended: meanwhile, on the other side of London, the nefarious Thieftaker-General is preparing to bid for a government contract, the Banks children are about to meet their new nanny, and Wendy Deere has been asked to investigate why human DNA traces are showing up in the butcher counter produce of a supermarket. All these plot strands converge in the dungeons under a castle in the Channel Islands, where Rupert's plan to summon a blood drenched horror is about to bear strange fruit ...

Due to COVID-related disruption and the need to coordinate both my British and American publishers, I can't give you a publication date for In His House. It might show up very late this year, or it might be delayed until some time in 2022: I don't know, but I'll update you when I have something concrete to report.

In the meantime I'm pushing on with Bones and Nightmares, the third book in the sequence, although I might get diverted onto other projects by editorial request (possibilities: that last Laundry novella, the long-overdue space opera, or even the last Bob novel). Watch this space.

Time for a thought experiment! (For those of us who don't want to keep chewing on the sore that is the US presidential succession—if you do, please stick to this already-existing discussion: cross-contamination into this new discussion will be dealt with harshly.)

We all know by now that Elon Musk wants to appoint himself Pope-Emperor of Mars. As the world's richest man (currently, and only on paper—it's based on the Tesla share valuation, which is wildly inflated) and as the guy with the private space program that scooped 50% of the planetary civil launch market in the past decade, it's not entirely inconceivable. Evidently SpaceX hope to fly Starship to orbit in the next 1-2 years and land a Starship on Mars within this decade. Let's suppose it happens.

So then ...

Serious question, for discussion.

After the events of January 6th, I currently expect the inauguration to happen on January 20th, although there will be death threats against both the incoming president and vice-president. How seriously they're taken by the US Secret Service, FBI, and other relevant security agencies is going to be telling: we know that white supremacists have pursued a policy of entryism in police and military forces for decades now (globally, not just in the USA), and although a palace coup by the Praetorian Secret Service seems vanishingly unlikely, there may be conspiracies from within the state apparat of repression.

It's fairly obvious that the new administration will go after the rioters/putsch plotters/lynch mob. It's possible there'll be a criminal investigation of elements of the Trump administration: all those high-level resignations on the 7th suggest that something very illegal was going on, in relation to the storming of the Capitol. Possibly enough to justify the prosecution of a former president, if there is a smoking gun to be found ...

And it also looks as if the Republican party have lost their grip on the executive and congressional branches of government (but not yet on the judiciary), and are beginning to wake up to the moral hazard of farming baby alligators in their bathtub: the promise of croc-skin shoes is all very well, but when the alligator grows up and gets loose in your house, you have a problem on your hand.

Are the Trumpists going to split and form a new party? Or are the Republicans going to split, many of them deserting to the Democrat coalition, and leave the rump party to the neo-Nazis? Or something else?

I'm in a holding pattern on the blog just now because I'm frantically busy with end-of-year work: publisher production departments like to clear their desks before the office shuts down for a fortnight, and they expect to come back to a full in-tray on January 4th, and of course authors don't have families or friends to socialize with, so why not share the joy of a tight deadline copy edit check with your loved ones this festive season?

That's not actually what I'm working on right now, but I am actually working way more than usual, and as a result I hope to have good news to share with you early in the new year.

As for the blog?

I ought to blog about either an update on my COVID19 forecast, or an update on my Brexit forecast, but those are basically boring and disgusting and demoralizing and would take precious brain cells away from bringing you the next book, so naaah. If you feel like updating me with your predictions for 2021 in the comments below, though, go right ahead.

Finally, I have one thought to leave you with. Apparently the Washington Post ran a write-in competition for the best summary of 2020, and the winner (a nine year old from the mid-west) came up with this totally accurate description: "2020 was like taking care to look both ways before you cross the road, and then being hit by a submarine."

Happy solstice!

Today is December 6th. The UK left the EU most of a year ago, but a transition agreement is in effect; it expires on December 31st, and negotiations between the British government and the EU appear to be on the rocks.

How did we get here and where are we going?

I've been head-down in the guts of a novel this month, hence lack of blogging: purely by coincidence, I'm working on the next-but-one sequel to Dead Lies Dreaming.

Which reminds me that Dead Lies Dreaming came out nearly a month ago, and some of you probably have read it and have questions!

So feel free to ask me anything about the book in the comments below.

(Be warned that (a) there will probably be spoilers, and (b) I will probably not answer questions that would supply spoilers for the next books in the ongoing project.)

This is your official thread for discussing the upcoming US presidential and congressional election on November 3rd; along with its possible outcomes.

Do not chat about the US supreme court, congress, presidency, constitution, constitutional crises (possible), coup (possible), Donald Trump and his hellspawn offspring and associates, or anything about US politics in general on the Laundry Files book launch threads. If you do, your comments will be ruthlessly moderated into oblivion.

You are allowed and encouraged to discuss those topics in the comments below this topic.

(If you want to discuss "Dead Lies Dreaming" here I won't stop you, but there's plenty of other places for that!)

As you know by now, my next novel, Dead Lies Dreaming comes out next week—on Tuesday the 27th in the US and Thursday 29th in the UK, because I've got different publishers in different territories).

Signed copies can be ordered from Transreal Fiction in Edinburgh via the Hive online mail order service.

(You can also order it via Big River co and all good bookshops, but they don't stock signed copies: Link to Amazon US: Link to Amazon UK. Ebooks are available too, and I gather the audiobook—again, there's a different version in the US, from Audible, and the UK, from Hachette Digital—should be released at the same time.)

COVID-19 has put a brake on any plans I might have had to promote the book in public, but I'm doing a number of webcast events over the next few weeks. Here are the highlights:

Outpost 2020 is a virtual SF convention taking place from Friday 23rd (tomorrow!) to Sunday 25th. I'm on a discussion panel on Saturday 24th at 4pm (UK time), on the subject of "Reborn from the Apocalypse": Both history and current events teach that a Biblical-proportioned apocalypse is not necessarily confined to the realms of fiction. How can we reinvent ourselves, and more importantly, will we?. (Panelists: Charlie Stross, Gabriel Partida, David D. Perlmutter. Moderator: Mike Fatum.)

Orbit Live! As part of a series of Crowdcast events, at 8pm GMT on Thursday 27th RJ Barker is going to host myself and Luke Arnold in conversation about our new books: sign up for the crowdcast here.

Reddit AmA: No book launch is complete these days without an Ask me Anything on Reddit, which in my case is booked for Tuesday 3rd, starting at 5pm, UK time (9am on the US west coast, give or take an hour—the clocks change this weekend in the UK but I'm not sure when the US catches up).

The Nürnberg Digital Festival is a community driven Festival with about 20.000 attendees in Nuremberg, to discuss the future, change and everything that comes with it. Obviously this year it's an extra-digital (i.e. online-only) festival, which has the silver lining of enabling the organizers to invite guests to connect from a long way away. Which is why I'm doing an interview/keynote on Monday November 9th at 5pm (UK time). You can find out more about the Festival here (as well as buying tickets for any or all days' events). It's titled "Are we in dystopian times?" which seems to be an ongoing theme of most of the events I'm being invited to these days, and probably gives you some idea of what my answer is likely to be ...

Anyway, that's all for now: I'll add to this post if new events show up.

I've been writing Laundry Files stories since 1999, and there's now about 1.4 million words in that universe. That's a lot of stuff: a typical novel these days is 100,000 words, but these books trend long, and this count includes 11 novels (of which, #10 comes out later this month) and some shorter work. It occurs to me that while some of you have been following them from the beginning, a lot of people come to them cold in the shape of one story or another.

So below the fold I'm going to explain the Laundry Files time line, the various sub-series that share the setting, and give a running order for the series—including short stories as well as novels.

(The series title, "The Laundry Files", was pinned on me by editorial fiat at a previous publisher whose policy was that any group of 3 or more connected novels had to have a common name. It wasn't my idea: my editor at the time also published Jim Butcher, and Bob—my sole protagonist at that point in the series—worked for an organization disparagingly nicknamed "the Laundry", so the inevitable happened. Using a singular series title gives the impression that it has a singular theme, which would be like calling Terry Pratchett's Discworld books as "the Unseen University series". Anyway ...)

Many thanks to Charlie for giving me the chance to write about editing and my latest project. I'm very excited about the publication of Entanglements. The book has received a starred review from Publishers Weekly and terrific reviews in Lightspeed, Science, and the Financial Times. MIT Press has created a very nice "Pubpub" page about Entanglements, with information about the book and its various contributors. The "On the Stories" section has an essay about by Nick Wolven about his amazing story, "Sparkly Bits," and a fun Zoom conversation with James Patrick Kelly, Nancy Kress, and Sam J. Miller. I think the site is well worth checking out, and here's the Pubpub description of the book:

A young editor once asked me what was the biggest secret to editing a fiction magazine. My answer was "confidence." I have to be confident that the stories I choose will fit together, that people will read them and enjoy them, and most importantly, that each month I'll receive enough publishable material to fill the pages of the magazine.